Normani – ‘Dopamine’ review: belated, yes, but also brilliant

The US star broke out in 2019 with hit single 'Motivation', but her ensuing debut record entered development hell. 'Dopamine' proves, however, that good things comes to those who wait

Fans anticipating a new album can get pretty naggy – just ask Rihanna, whose pivot from pop colossus to billionaire businesswoman hasn’t stopped constant questions about ‘R9’. Normani, who rose to prominence alongside Camila Cabello in US girl-group Fifth Harmony, knows her long-awaited solo record has become a running joke. Famously, she tweeted back in July 2018: “I have my album title y’all.” Nearly four years later, with the album still not on the release slates, one Twitter wag replied: “Did you forget it?”

So, when Normani finally announced this album’s title in February, she did so on a playfully titled new website: wheresthedamnalbum.com. In interviews, she’s attributed the LP’s lengthy gestation to personal issues – in recent years, she’s supported both of her parents through cancer treatment – and to a musical identity crisis. “I know what it feels like to be in a position to put out records that I don’t believe in,” Normani said in February.

For this reason, it’s hardly surprising that ‘Dopamine’ doesn’t include Normani’s glorious 2019 launch single ‘Motivation’, a summery club banger she’s since dismissed as too “easy”. However, the album does find space for her three-year-old Cardi B collab ‘Wild Side’, a sultry, Aaliyah-sampling R&B bop, though it’s sequenced rather tellingly at the very end.

Nothing here is quite as infectious as ‘Motivation’, though the Janet Jackson-esque funk bop ‘Take My Time’ – a song title that can’t not look pointed – comes close. Elsewhere, Normani and producers including Tommy Brown (Ariana Grande, The Weeknd) and Stargate (Rihanna, Beyoncé) generally cleave to a sleek midtempo: across 13 tracks, she glides between glistening sex jams (‘All Yours’, ‘Lights On’), atmospheric R&B (‘Insomnia’, ‘Distance’) and even a swaggering strip club anthem (‘Still’). Weirdly, a sparse track recently released as a single, ‘1.59’, is one of the few sluggish cuts here. Only Normani’s Whitney Houston-style spoken intro – “turn me up, uh, turn me up” – makes much of an impression.

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‘Dopamine’ also contains a skittering duet with James Blake, ‘Tantrums’, on which Normani delivers one of the album’s punchiest lyrics: “You’re nobody – you’re just somebody I used to fuck from time to time.” It’s typical of an album that shimmers with a cool, calm and yes, unhurried confidence. It may have taken six years, but ‘Dopamine’ sounds like the (damn) album Normani was meant to make all long.

Details

  • Release date: June 14, 2024
  • Record label: RCA

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